This blog reviews a variety literary works. It provides a brief overview of each, a photo, podcast, or video to entice you to find the book and read, read, read-- and often, a short review from your friendly teacher librarian.
Enjoy and read on!
New York Times bestselling author Maureen Johnson weaves a delicate tale of murder and mystery in the first book of a striking new series, perfect for fans of Agatha Christie and E. Lockhart.
Ellingham Academy is a famous private school in Vermont for the brightest thinkers, inventors, and artists. It was founded by Albert Ellingham, an early twentieth century tycoon, who wanted to make a wonderful place full of riddles, twisting pathways, and gardens. “A place,” he said, “where learning is a game.”
Shortly after the school opened, his wife and daughter were kidnapped. The only real clue was a mocking riddle listing methods of murder, signed with the frightening pseudonym “Truly, Devious.” It became one of the great unsolved crimes of American history.
True-crime aficionado Stevie Bell is set to begin her first year at Ellingham Academy, and she has an ambitious plan: She will solve this cold case. That is, she will solve the case when she gets a grip on her demanding new school life and her housemates: the inventor, the novelist, the actor, the artist, and the jokester.
But something strange is happening. Truly Devious makes a surprise return, and death revisits Ellingham Academy. The past has crawled out of its grave. Someone has gotten away with murder.
The two interwoven mysteries of this first book in the Truly Devious series dovetail brilliantly, and Stevie Bell will continue her relentless quest for the murderers in books two and three.
Get Out meets Holly Jackson in this YA social thriller where survival is not a guarantee.
Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student—the handsome Allister—and for the first time, romance is on the horizon for Jake.
Unfortunately, life as a medium is getting worse. Though most ghosts are harmless and Jake is always happy to help them move on to the next place, Sawyer Doon wants much more from Jake. In life, Sawyer was a troubled teen who shot and killed six kids at a local high school before taking his own life. Now he's a powerful, vengeful ghost and he has plans for Jake. Suddenly, everything Jake knows about dead world goes out the window as Sawyer begins to haunt him. High school soon becomes a different kind of survival game—one Jake is not sure he can win.
Notes from Norma
I just finished reading it this and I absolutely loved it. I wasn't completely sold on it at the beginning but the POV switch between Jake and Sawyer really added a layer of intrigue and sense of urgency to understand why Jake must stop Sawyer from taking over. The characters are sympathetic and interesting, and the plot really gets you hooked.
I would recommend a read if you like supernatural horror or thrillers!
Reviews
“An exceptional blend of genres—horror, mystery, thriller and contemporary—that brilliantly captures how Jake, a Black gay teen medium, copes with the varying kinds of violence threatening him. . . Douglass creates a clever and effective parallel between what Jake can't control—racism and how his body is perceived, a toxic father, an irresponsible brother, his mother's expectations—and his fight against Sawyer. The story builds to a rewardingly chilling and sentimental climax, as Jake must look deep within himself for the power to break the cycles of harm entrapping him. . . An extraordinarily crafted exploration of agency during Black gay teenhood.” —Shelf Awareness, starred review
“A teenage version of Get Out, and you will not be disappointed. . . Douglass looks at race and trauma and death with a comical and horror-esque twist.” —The Root
